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Manythingsmakepeoplethinkartistsareweirdandtheweirdestmaybethis:artists’onlyjobistoexploreemotions,andyettheychoosetofocusontheonesthatfeelbad.
Thiswasn’talwaysso.Theearliestformsofart,likepaintingandmusic,arethosebestsuitedforexpressingjoy.Butsomewhereinthe19thcentury,moreartistsbeganseeinghappinessasinsipid,phonyor,worstofall,boringaswewentfromWordsworth’sdaffodilstoBaudelaire’sflowersofevil.
Youcouldarguethatartbecamemoreskepticalofhappinessbecausemoderntimeshaveseensuchmisery.Butit’snotasifearliertimesdidn’tknowperpetualwar,disasterandthemassacreofinnocents.Thereason,infact,maybejusttheopposite:thereistoomuchdamnhappinessintheworldtoday.
Afterall,whatistheonemodernform.ofexpressionalmostcompletelydedicatedtodepictinghappiness?Advertising.Theriseofanti-happyartalmostexactlytr ackstheemergenceofmassmedia,andwithit,acommercialcultureinwhichhappinessisnotjustanidealbutanideology.
Peopleinearliererasweresurroundedbyremindersofmisery.Theyworkeduntilexhausted,livedwithfewprotectionsanddiedyoung.IntheWest,beforemasscommunicationandliteracy,themostpowerfulmassmediumwasthechurch,whichremindedworshippersthattheirsoulswereinperilandthattheywouldsomedaybemeatforworms.Givenallthis,theydidnotexactlyneedtheirarttobeabummertoo.
TodaythemessagestheaverageWesternerissurroundedwitharenotr eligiousbutcommercial,andforeverhappy.Fast-foodeaters,newsanchors,textmessengers,allsmiling,smiling,smiling.Ourmagazinesfeaturebeamingcelebritiesandhappyfamiliesinperfecthomes.Andsincethesemessageshaveanagenda--tolureustoopenourwallets--theymaketheveryideaofhappinessseemunreliable.“Celebrate!”commandedtheadsforthearthritisdrugCelebrex,beforewefoundoutitcouldincreasetheriskofheartattacks.
Butwhatweforget--whatoureconomydependsonusforgetting--isthathappinessismorethanpleasurewithoutpain.Thethingsthatbringthegreatestjoycarrythegreatestpotentialforlossanddisappointment.Today,surroundedbypromisesofeasyhappiness,weneedsomeonetotellusasreligiononcedid,Mementomori:rememberthatyouwilldie,thateverythingends,andthathappinesscomesnotindenyingthisbutinlivingwithit.It’samessageevenmorebitterthanaclovecigarette,yet,somehow,abreathoffreshair.
36.BycitingtheexampleofpoetsWordsworthandBaudelaire,theauthorintendstoshowthat________.
[A]poetr yisnotasexpressiveofjoyaspaintingormusic
[B]artgrowoutofbothpositiveandnegativefeeling
[C]poetstodayarelessskepticalofhappiness
[D]artistshavechangedtheirfocusofinterest
正确答案:D


