题文
阅读理解。 A few years ago I had an "aha!" moment regarding handwriting.I had in my hand a sheet of paper with handwritten instructions on it for some sort of editorial task.
It occurred at first that I did not recognize the handwriting, and then I realized whose it must be. I finally
became aware of the fact that I had been working with this colleague for at least a year, maybe two, and
yet I did not recognize her handwriting at that point.
It was a very important event in the computerization of life-a sign that the informal. Friendly
communication of people working together in an office had changed from notes in pen to instant messages
and emails. There was a time when our workdays were filled with little letters, and we recognized one
another's handwriting the way we knew voices or faces.
As a child visiting my father's office, I was pleased to recognize, in little notes on the desks of his staff,
the same handwriting I would see at home in the notes he would leave on the fridge-except that those notes
were signed "dad" instead of "RFW".
All this has been on my mind because of the talk about The Rise and Fall of Handwriting, a book by
Florey. Sire shows in her book a deep concern about the fall of handwriting and the failure of schools to
teach children to write well, but many others argue that people in a digital age can't be expected to learn to
hold a pen.
I don't buy it.
I don't want to see anyone cut off from the expressive,personal associations that a pen still promotes
better than a digital keyboard does. For many a biographer, part of really getting to know their subjects is
learning to read their handwriting.
What some people advocate is teaching one of the many attractive handwritings based on the handwriting
of 16th-century Italy. That may sound impossibly grand-as if they want kids to learn to draw by copying
classical paintings. However, they have worked in many school systems. 1. Why was the author surprised at not recognizing his colleague's handwriting? A. He had worked with his colleague long enough.
B. His colleague's handwriting was so beautiful.
C. His colleague's handwriting was so terrible.
D. He still had a 1ot of work to do. 2. People working together in an office used to _____. A. talk more about handwriting
B. take more notes on workdays
C. know better one another's handwriting
D. communicate better with one another 3. The author's father wrote notes in pen _____. A. to both his family and his staff
B. to his family in small letters
C. to his family on the fridge
D. to his staff on the desk 4. According to the author,handwritten notes _____. A. are harder to teach in schools
B. attract more attention
C. are used only between friends
D. carry more message 5. We can learn from the passage that the author _____. A. thinks it impossible to teach handwriting
B. does not want to lose handwriting
C. puts the blame on the computer
D. does not agree with Florey 题型：未知难度：其他题型
答案
1-5: ACADB解析
该题暂无解析
考点
据考高分专家说，试题“阅读理解。 A fe.....”主要考查你对 [故事类阅读 ]考点的理解。故事类阅读
故事类阅读概念：
这类文章一般描述的是某一件具体事情的发生发展或结局，有人物、时间、地点和事件。命题往往从故事的情节、人物或事件的之间的关系、作者的态度及意图、故事前因和后果的推测等方面着手，考查学生对细节的辨认能力以及推理判断能力。
故事类阅读应试技巧：
1、抓住文章的6个要素：
阅读时要学会从事情本身的发展去理解故事情节而不要只看事件在文中出现的先后顺序。因此，无论是顺叙还是倒叙，阅读此类文章时，必须要找到它结构中的5个W（when, where, who, why, what）和1个H（how），不过不是每篇都会完整地交待六个要素。毫无疑问，寻出这些元素是能够正确快速解题的一个先决条件。
2、注意作者的议论和抒情：
高考英语阅读理解故事类文章常伴随着作者思想情感的流露和表达，因此议论和抒情往往夹杂其中。行文时或按事情发生发展的先后时间进行或按事情发生发展的地点来转换，也可能按事情发展的阶段来布局。在引出话题，讲完一件事情后，作者往往会表达个人感悟或提出建议等。这些体现作者观点或思想的语句在阅读时可以划线，它们往往体现文章中心或者写作意图，属于必考点，所以要仔细体会。
3、结合前两点归纳文章中心，把握作者态度：
故事类文章是通过记叙一件事来表达中心思想的，它是文章的灵魂。归纳文章中心思想时，尤其要分析文章的结尾，因为很多文章卒章显志，用简短的议论、抒情揭示文章中心；文章中议论抒情的句子往往与中心密切相关；也有的文章需要在结合概括各段大意的基础上归纳中心。另外，叙述一件事必有其目的，或阐明某一观点，或赞美某种品德，或抨击某种陋习，这就要求我们在阅读时，通过对细节（第1点中的六要素）的理解，把握作者的态度。
4、有章有据进行解题判断：
分析文章，归纳主题，属于分析、概括、综合的表述能力的考查。切忌脱离文章，架空分析，一定让分析在文章中有依据。
